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Gascia Ouzounian
principal investigator

Gascia is Associate Professor of Music at Oxford, co-director of the research network Recomposing the City, and PI on SONCITIES. Her work is concerned with the philosophies, technologies, and aesthetic ideologies that shape ideas of sound and space, within and across such fields as music, sound art, psychology, engineering, and urban design. She is the author of Stereophonica.

Contact: gascia.ouzounian[at]music.ox.ac.uk

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Diana Rodriguez-Pérez
project support coordinator

Diana is part of the Research Facilitation team at Oxford and provides administrative, HR, and finance support to the SONCITIES team. Besides this job, Diana is also a Research Assistant at the Faculty of Classics and has published extensively on various aspects of the art and archaeology of ancient Greece.

Contact: soncities[at]music.ox.ac.uk

Lisa Hall
DPhil student

Lisa is a DPhil student with SONCITIES, based in the Music Department at Oxford and at St Catherine’s College. Lisa’s research draws on sound arts practice, as both source and method of investigation, focusing on the social and participatory practices of lived urban sonic experience. This research investigates artistic knowledge of urban spaces as a contribution to the discourse of urban sonic / noise management. Lisa’s practice-based research and collaborative artistic projects inform this DPhil.

Contact: lisa.hall[at]music.ox.ac.uk

Ruth Bernatek
research fellow (2020-2023)

Ruth Bernatek is an architectural and urban historian and theorist. Her research explores sound in the built environment, with a particular focus on audiovisual spaces (digital and physical) since 1950. In her academic and curatorial projects, Ruth uses interdisciplinary modes of writing, model-making, film, and exhibition to engage critically and creatively with sound archives, sites and their histories.

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Matilde Meireles
research fellow

Matilde is a recordist, sound artist, and researcher who makes use of field recordings to compose site-oriented projects. Her projects often have a multi-sensorial and holistic approach to ‘site’ which draws from her studies and experience in areas such as field-recording, site-specific visual arts and design.

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Christabel Stirling
research fellow (2020-2022)

Christabel is a musicologist specialising in ethnographic approaches to contemporary music and sound art. Her research explores the social relations and coalitions that music and sound produce in their live forms, focusing particularly on the potential for such coalitions to transform or reinforce dominant social and spatial orders. She also DJs with Tanum sound system.

 

RESEARCH COLLABORATORS

Howayda Al-Harithy
American University of Beirut

Howayda Al-Harithy is Professor of Architecture and Urban Design at the Department of Architecture and Design (ArD) at the American University of Beirut (AUB). Al-Harithy’s research focuses on urban heritage and contemporary interventions in historic cities. Her research is focused on urban heritage, identity building and post-war reconstruction in the Arab world.

 

Sarah Lappin
Queen’s University Belfast

Sarah A. Lappin is Senior Lecturer in Architecture and Head of Architecture at Queen’s University Belfast. She is co-founder of the All-Ireland Architectural Research Group and co-director of Recomposing the City. Her research is focused on architecture and identity, particularly on the island Ireland, and on the intersections of sound, art, architecture, and urbanism.

 

Nick Tyler
University College London

Nick Tyler is the Director of the UCL Centre for Transport Studies and Chadwick Professor of Civil Engineering, and investigates the ways in which people interact with their immediate environments. He is co-founder of the UCL Universal Composition Laboratory (UCL2), which undertakes multisensorial spatiotemporal design.

 

Melissa Van Drie
Copenhagen

Melissa Van Drie is a researcher, project maker, musician, and performer. She works across the disciplines of theatre, music, and the history of science and technology to write cultural histories of sound and listening. Her “Sounds Delicious” project explores what a sonic perspective reveals about the human and non-human relationships that make up food.

 

John Bingham-Hall
Theatrum Mundi

John Bingham-Hall is Director of Theatrum Mundi and an independent researcher interested in performances, infrastructures, and technologies of shared life in the city. With a background in music (Goldsmiths) and architectural theory (UCL Bartlett), he works across artistic, spatial and critical humanities to question and participate in the making of the urban public sphere.

 

ADVISORY BOARD

Karin Bijsterveld

Professor of Science, Technology & Modern Culture, Maastricht

 

Colin Ripley

Professor of Architectural Science, Ryerson University

 

Atau Tanaka

Professor of Media Computing at Goldsmiths

 

Georgina Born

Professor of Music and Anthropology, University of Oxford

 

Eric Lewis

Assc. Prof. of Philosophy, Dir. of Laboratory of Urban Culture, McGill

 

Richard Sennett

Chair, Urban Initiatives Group - UN Habitat // Chair, Theatrum Mundi

 

Christos Carras

Executive Director of the Onassis Cultural Centre, Athens

 

Carsten Seiffarth

Founder and artistic director, singuhr – hoergalerie // Artistic director, bonn hoeren

 

Mendi Obadike

Associate Professor of Media Studies, Pratt Institute